Cinematography

Topic: Cinematography
EQ: How can a film maker best use image to spark an emotional connection with the film's audience?

Monday, March 3, 2014

Blog 17: Fourth Interview Questions

For the fourth interview on my topic, I must find an expert and ask them 20 questions about the answers I've chosen for my EQ so far. Right now I have two answers to my EQ: Through effective use of lighting, and through camera angles and movements. The third answer might have something along side the use of managing and directing actors.


  • What sort of camera lenses do you think an ammeter filmmaker must have?
  • What do you think about the use of color gels?
  • Describe some techniques you may use when building a preferred light setup?
  • How important do you think the 3 point light set up is? Why?
  • Why do you think silent films can strike such emotion using so little?
  • How do yo determine what sort of camera lens you need?
  • How do you determine what sort of camera angle/movement is needed?
  • What are your thoughts about the lighting techniques used in Film Noir?
  • How much of a part do actors have in perceiving emotion? Elaborate?
  • Can a film survive on light alone to depict emotion? Why?
  • Can a film survive on camera movement alone to depict emotion? Why?
  • Do you think that the actions an actor portrays is enough to depict the emotion needed in the scene? Why?
  • When is there a point where the role of cinematographer and director come together?
  • What's the most complicated light set up that you have had to build? When was it used?
  • How do you accommodate lighting outdoors in the day? at night? 
  • How do you know you have the right shot?
  • Do you prefer digital or film? Why?
  • What sort of mistakes to you usually see being made by today's batch of amateur filmmakers?
  • What equipment besides a camera do you believe is a must have to achieve good framing?
  • What do you think are the most important qualities in a DP? 
These questions will not be asked in any particular order.

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